Guitar Method: The E and A Blues Scales

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The reason this extra note is present is because it has a special place in a lot of blues melodies. The way you use it to create the blues sound is to play it in blues licks. The best way to understand this is to learn the scale, and then play songs that use it so you can see the way it gets applied. This scale is usually considered the easiest to start with because it uses open strings and gives your fingers more time to adjust to changes. The thing that is so nice about the guitar is this: once you know this shape, all you have to do is move it around to the key you want to play in!

Here are charts and tabs for two more of the most common keys. Practice these scales in a way that inspires you. There are plenty of fun ways to master the blues scale on guitar, and you should choose the ones that inspire you the most. Remember: motivation comes from action! Here are a few ideas to get you started.

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Knowing the blues scale is like knowing the alphabet, and life is a lot better when you can spell! This scale gets used with specific licks and phrases that define the blues sound, and having a teacher to help you see the connection between the scale and the music can be very helpful. If you would like to find someone to help you take your blues skills a step further, look for a guitar teacher at TakeLessons.

Search thousands of teachers for local and live, online lessons. Sign up for convenient, affordable private lessons today! Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Take note of how the interaction of the major-and minor-third pairings are formulated. The first mating is produced with a hammer-on, while the second is the product of a half-step bend. Again, this accentuates the minor, or 9, edginess of many blues-rock phrases.

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Using this lick as a template, Ex. Thick-sounding, tritone double-stops open the phrase, which moves to a crafty, pinkie-slide C to C on the low E string, followed by a wide intervallic leap to the fifth fret of the D string. The lick culminates on another half-step bend from C to C , this time on the low E string. Add a b 5 to the minor pentatonic scale and you have what is commonly referred to as the blues scale or, in some circles, the minor blues scale. The lick in Ex. While not generally used as a featured note, the G can serve very effectively as a passing tone, connecting the b 7 G to the tonic A.

This concept is demonstrated in Ex. Essentially a counterpart to the blues lick in Ex. Inserting the second and sixth scale degrees B and F , respectively on the B and high E strings creates a symmetrical box shape, that follows the contour of the pattern of blues-scale notes established along the G string frets 5, 7 and 8. Again, a dotted line is used to illustrate this symmetrical lineup. Careful here: Keep the strings parallel to each other as you bend and release to pitch. The next four examples combine all elements discussed so far and are designed to complement the changes of a bar blues in the key of A.

Both of these examples are designed for the I7 chord A7. The next lick Ex. Based on the notes of the upper symmetrical box of Ex.

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This leads to a chord-tone dance involving the 5 A , b 7 C and 3 F of the chord, followed by a set of triple-stops that takes full advantage of the symmetry of the pattern itself. Whereas the major 7 G is most often used as a passing note see Ex. An easy way to learn, play and improvise in every blues key. Inexperienced guitar players learn to use their blues guitar scales in 2 or 3 different keys.

The problem is, there are 24 blues keys, not 2 or 3 or There is an easy way and a hard way to use your blues scales in all 24 keys, you are going to want to get the easy way.

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A solid understanding of how blues music really works. It's not enough to learn all the chords and scales for blues guitar and then use the trial and error method to playing blues. Blues is based on improvisation, but great blues music is never based on trial and error. A method to learn which specific scales to use over each chord within a blues song. Great blues guitar players typically do NOT use the same blues guitar scales over each chord in a blues song.

To sound more like a great blues guitar player and less like an amateur you need to understand how the pros change scales over blues chord progressions. A guide that helps you immediately know which specific notes of a guitar scale sound best over the chord being played in each part of a blues song. Until and unless you know which notes of the scale to focus on, your melodies, solos and improvisations will only sound mediocre at best.

As you can now see, there is a lot more you need than a simple set of scales for blues guitar. Backing Tracks to practice, improvise and create your own blues music with the guitar scales you'll be learning. The vast majority of resources and products that offer blues scales typically don't give you the blues backing tracks to use those scales over. Make sure whatever resource you use has backing tracks included!! The process to Put It All Together.

The Mixolydian Blues Scale—The Most Useful Scale of All

The last big piece you need is the path to put all the various elements together so that you are making real music, expressing yourself fully. Answers to the questions you are going to have when trying to learn, master and apply your blues guitar scales. Although its not reasonable to expect an online resource, book or product can answer your questions directly, it is reasonable to expect that all the commonly asked questions are in fact addressed and answered.

You are going to have questions and you are going to need to get those answers to be sure you are moving forward quickly while working with your scales for blues guitar. Ways to get started right away. Most resources on blues scales for guitar require lots of boring memorization first before you can really get started and begin having fun. Certainly there is work to be done, but it doesn't have to be boring, doesn't have to be slow and doesn't have to be hard. The very best resource should be exactly the opposite of those things.

After many years of searching for a proven, easy-to-use and complete system for learning, mastering and applying blues guitar scales that I could use to teach my own students, it became obvious that none existed - so I created the ultimate system that I and other top level guitar teachers have been searching for. This new eCourse contains all 11 plus more things you absolutely must have in order to become the excellent blues lead guitar player you want to, can and should be.

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Plus you'll get additional training on blues turnarounds, tritone substitutions, the flatted 5th chord and modified pentatonic scales for guitar. You'll learn what these all are, how they work, special ways to solo over or with them to make your blues playing even better! After learning, mastering and applying the blues scales you'll be learning, your next step will be to build cool blues guitar licks from those scales.

This necessary eBook on lick building and scale sequences will put you on the fast track to playing and creating your own cool blues guitar solos. You get every sequence in tablature, music notation, and audio samples so that you can hear each one as it should sound. In addition, I'll explain each of these sequences to you and how to approach practicing them so that you can get started right away. I have tried one to one lessons or a Video or an audio lesson, but they started in a different way from your course.

Also, when I follow your lesson I soon get a question arising in my mind This a gives me confidence that I WAS right and, b you broke the topic into two halves, so first step was easier to grasp. So now I understand, not just listen, and it sticks in the memory. IT IS different as it is a totally new path - I am exploring the foundations that had been boring before.

Now a simple exercise can have a nuance by the way I strike the string for just 1 note, or alter the volume, or slide up to the note I want - I am being entertained by these really simple level lessons - which I need. I can add colour or change colour to one note. I have so much more to understand but if I can start to get one note to sound how I want it to Sound is my work voice, not music.

I have been very lucky being in studios actually seeing some of the famous players we relish, not just guitar but violin, piano and other instruments. I seem to be able to tell who is playing by hearing just one note. Now, if I can start even start to emulate their sound, I shall start to move towards my aims that have been out of reach. Ive been practicing all day!

Guitar Method: The E and A Blues Scales Guitar Method: The E and A Blues Scales
Guitar Method: The E and A Blues Scales Guitar Method: The E and A Blues Scales
Guitar Method: The E and A Blues Scales Guitar Method: The E and A Blues Scales
Guitar Method: The E and A Blues Scales Guitar Method: The E and A Blues Scales
Guitar Method: The E and A Blues Scales Guitar Method: The E and A Blues Scales

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